Ranbir Kapoor's Ramayana - Biggest Single Day For Indian Films?

By - Amit kumaR Agarwal

  • Ramayana Part 1 - the big ticket release of Deepawali 2026 has gone berserk on Monday, as it came out of the pre-Deepavali period

The big question on everyone's mind associated with the film-trade is - will Ramayana Part 1 break all records for Indian films for single-day collections. 

Ranbir Kapoor starrer Ramayana Part 1 has Kapoor playing God Ram, Sai Pallavi playing Goddess Sita, Sunny Deol playing God Hanuman, Ravi Dubey playing Lakshman and Yash as Ravan.

The mixed reviews were a huge matter of concern; but as Oscar winning screenwriter, William Goldman, famously quoted, "No One Knows Anything", about film business.

If the collections and the craze since Monday morning for the film is anything to go by, the film will create a historic Single Day collection for the Indian Cinema ever.

Trade-pundits are predicting that if this trend continues Ramayana Part 1 will do 1000crore business in just 10-days - another record.

Whatever the case, the film has brought life to an otherwise dull box-office since Hanuman Ansh became the surprise blockbuster this year.

Ramayana Part 1 so far is continuing a record box-office run, not only in India but overseas as well - shattering records set by Dhurandhar 2 and Pushpa 2 in the overseas.

#TKMU Wishes Happy Deepavali To All

By - Aanya


Talennt Ka Maha Utsav wishes everyone worldwide, a very auspicious and happy festive season of Deepawali


#TKMU Wishes Happy Chhoti Diwali To All

By - Aanya


Talennt Ka Maha Utsav wishes everyone worldwide, a very auspicious and happy festive season of Chhoti Diwali


News Shorts l Asian Para Games 2026

By - Syed Hasan Zaidi


The Prime Minister of India, Narendra Modi met with the Indian Contingent for Asian Para Games 2026, in New Delhi on November 05, 2026.

It may be recalled that India achieved its best-ever performance ever at the 5th edition of the Asian Para Games 2026 that were held in Aichi-Nagoya, Japan.

India finished 4th in the overall medal tally with a record haul of 114 medals that included 30 Gold Medals, 35 Silvers and 49 Bronze Medals.

#TKMU Wishes Happy Dhanteras To All

By - Aanya


Talennt Ka Maha Utsav wishes everyone worldwide, a very auspicious and happy festive season of Dhanteras


Press Release l WTM 2026 l Stand Award Winners Announced

  • Andalucia wins inaugural accessible stand award

The winners of the WTM London 2026 Best Stand Awards have been announced. This year, judges selected an overall winner from the show floor regions, with some exhibitors warranting a highly commended accolade where the final decision was close.

2026 also featured a selection of general awards open to all exhibitors, including the inaugural Best Stand for Accessibility award. Starting with the strongly competitive Europe regions, after much deliberation the judges chose Uzbekistan as overall winner. Its mix of natural materials, including local wood unique to the region, and an ambitious approach to audiovisual displays, created a distinctive sense of place.


The judges added: “We were struck by the pleasant atmosphere for meetings and liked the confidence of a design whose authenticity shone through, making it a memorable presence on the show floor. Highly commended accolades were awarded to Spain and Morocco.

Across the main boulevard at Excel London, the Asia region was also the subject of much debate, with Indonesia emerging as the winner.

The stand had a distinctive identity as a result of bringing local craft skills to the event - the ceiling filled with hand-stitched fish in an intricately crafted textile knitted coral reef - showcasing the workmanship of local craftspeople, which took over four months to create. 

The judges said: “Carefully chosen imagery combined with an open layout created an immersive setting that felt both spacious and welcoming, giving the stand its distinctive identity’. India and China ran the winners close, with both being highly commended.

Elsewhere, Abu Dhabi was a clear winner for Middle East. The judges said: “There was a quality and consistency to Abu Dhabi. Every component had been carefully considered, creating a beautifully designed and coherent overall presentation. The layout proved ideal for both meetings and entertainment. The screens delivered real impact, drawing visitor attention”.

Africa’s best stand award went to Egypt, which beautifully presented the destination’s wealth of cultural experiences with a welcoming, well-organised business environment.

The judges noted: “Egypt got the balance spot on with a combination of ancient heritage and contemporary, immersive technology, backed by a clear layout and easy navigation that supported meetings between buyers and participating exhibitors.”

Elsewhere, the travel solutions category (technology, accommodation, transportation) went to RateHawk.

The judges commented: “We were wowed by its bold, impactful design. The angular look was striking and stood out from the rest of the stands, encouraging visitors to pause. It had a great mix of digital elements and also maximised the footprint really well.” Juniper Travel Technology picked up a highly commended.

Mamma Mia! The Party - created by ABBA’s Björn Ulvaeus - was the winner of the best stand for Experiences.


The judges noted how “the stand transported visitors straight into a Greek island setting” and that “its authentic atmosphere brought the experience to life, catching the attention of passers-by and drawing them onto the stand”.

Elsewhere, a number of awards were open to all exhibitors in all halls. The Best Stand for Doing Business category was won by India, which stood out for its strong layout and clear delineation of meeting areas.


Judges responded to “the welcoming, well-organised environment which made it easy for visitors to identify participating exhibitors and navigate the stand, thereby putting productive conversations between buyers and exhibitors at the heart of the design.” Highly commended awards went to Spain and Greece.

The best activation winner – designed to reflect a stand’s ability to attract footfall - went to Egypt. In this context, judges liked the expanded museum-style display bringing the country’s extraordinary heritage to life.  A spectacular 360-degree immersive room, floor-to-ceiling audiovisual imagery the country’s landscapes and attractions and replica antiquities were also noted.

The judges agreed that “the stand created a compelling journey of discovery, demonstrating how physical exhibits and immersive technology can work together to bring a destination to life”.

Across the entire event, four other stands were highly commended for their activations - Morocco, Saudi Arabia, Italy and Fujairah.

Andalucia picked up the award for the most accessible stand, courtesy of its deliberate use of flat access supplemented by a choice of seating options.

The judges said: “These practical design decisions, which are often overlooked, shows it is possible and relatively straightforward to make stands easier to enter for visitors and buyers with accessibility considerations.” Guest judge, Dr Shani Dhanda, accessibility specialist, added: “I was impressed with Andalucia as they had a mixture of seating, a ramp to the speaking stage and a sloped edge to the stand itself, meaning that if you’re visiting or working on the stand it was largely inclusive.” Abu Dhabi was given a highly commended for similar reasons.

Jonathan Heastie, portfolio director for RX and head of the judging panel, concluded: “Thank you to all our exhibitors for the enormous effort they put into presenting their businesses and destinations in such compelling and imaginative ways.

“A particular thank-you goes to those who took care to make their stands accessible and welcoming to visitors with different access needs, and to Spain – WTM London’s first ever accessibility partner - for supporting the introduction of the Most Accessible Stand award this year.

“We encourage all exhibitors to continue working with us to build on that progress and make next year’s show even more accessible.”

The other members of the judging panel were:
·      Jean Carmela, Editor for Asia Pacific, AeroTime
·      Martinique Lewis, President, Black Travel Alliance
·      Clara May, Communications Manager, Just a Drop
·      James Campion, Sales Director, Excel
·      Dr Shani Dhanda, Accessibility Consultant
·      Helen Sheppard, Sustainability Manager for RX

BBN Internship Program 2026 l Privacy Is a Privilege, Not a Given

By - Tanisha Dubey


For some people, privacy is an integral part of their everyday lives, something they cannot imagine living without. They feel uncomfortable when their personal space is invaded, when their conversations are overheard, or when they are expected to explain every little detail of their lives. But for some, privacy isn't even a choice. They don't get to decide what they want to keep private and what they are comfortable sharing. Their circumstances, surroundings and social realities often make that decision for them.

But what exactly is privacy? Is it simply having something to hide, or is it the freedom to decide what parts of your life you want to share with others? Privacy is the right to have control over your personal space, information, thoughts, relationships and choices without unnecessary interference. It is a fundamental human right, closely connected to individual liberty, dignity and autonomy. Article 12 of the Universal Declaration of Human Rights recognises the right to privacy, stating that no one should be subjected to arbitrary interference with their privacy, family, home or correspondence. In India, the Supreme Court also recognised privacy as a fundamental right under Article 21 of the Constitution in its landmark 2017 Puttaswamy judgment. Yet, despite this legal recognition, the ability to actually exercise this right is not equally available to everyone.

And that makes me wonder: Have we mistaken privacy for something everyone naturally has, when in reality, it is a privilege not everyone gets to experience?

We often associate privacy with having secrets, but privacy is so much more than that. It is the freedom to exist without constantly being questioned, observed or judged. It is having a space that belongs only to you, where you don't have to explain your choices, defend your decisions or make your life accessible to everyone around you.

There is also an economic dimension to this conversation that we often overlook. Poverty and privacy are more closely connected than we might think. We usually measure poverty through income, access to food, education, healthcare and housing, but rarely do we consider the loss of privacy that can accompany it.

Think about a family living in a one-room house, where multiple members share the same sleeping space. A personal conversation, a moment of vulnerability, an argument or even a simple phone call can happen within everyone's hearing. There is little room for personal boundaries, not necessarily because people don't respect them, but because their circumstances don't allow them to exist. For someone who can afford a separate room, a locked door or even a personal workspace, privacy might feel like an ordinary part of life. For someone who cannot afford these things, it can remain an inaccessible luxury.

But the situation becomes even more difficult as income deteriorates and people are pushed further towards economic insecurity. Consider those who live on footpaths, under flyovers or by the sides of roads. For them, privacy is not merely limited; in many cases, it is almost nonexistent. Their daily lives unfold in public spaces, where sleeping, eating, changing clothes, having conversations and caring for their families happen under the constant gaze of strangers. They have little control over who sees them, who approaches them or who becomes a witness to their most personal moments. Even something as basic as getting a few hours of uninterrupted sleep or finding a secluded space to change clothes can become a challenge. When survival itself becomes a daily struggle, personal boundaries often become a compromise they cannot afford to avoid. And if this is what the absence of financial security can look like, we can only begin to imagine how much of a person's dignity, autonomy and personal freedom gets compromised along with it.

The relationship goes beyond physical space, too. Economic dependence can sometimes mean having to justify personal expenses, movements and decisions to those providing financial support. People in financially vulnerable situations may also have less control over who accesses their personal information, where they live and how much of their lives they have to disclose to seek assistance.

This creates an uncomfortable reality: the less economic independence a person has, the harder it can become to establish and protect personal boundaries. Of course, poverty does not automatically mean an absence of privacy, just as wealth does not guarantee it. But financial security can provide people with more choices, personal space and control over their surroundings.

And perhaps this is where the inequality becomes most visible. Some people have to actively protect their privacy, while others are still struggling to afford the conditions in which privacy becomes possible.

Not Just A Review l Ramayana Part 1

By - Amit kumaR Agarwal


First things first - it is practically impossible for any actor to fade the indelible impression of, Arun Govil, as God Ram - Ranbir Kapoor took the challenge and has come up trumps here.

Ranbir's calm, composed and restrained performance as God Ram is a new benchmark in acting. It is a definitive reference point for the future films or media on Ramayan. 

Now the Q: does the part 1 of Ramayan (though spelled Ramayana in the assets of the film) score?

The story of Ramayan is well known to all Indians and even other South-Asian countries like Thailand, Indonesia, Nepal, Vietnam, Malaysia, Cambodia and beyond. It is about God Vishnu taking human avatar to annihilate the demon-king Ravan.

The screenplay for big-screen is adapted by Shridhar Raghavan and Nitesh Tiwari, though the screenplay is interesting, it is scattered particularly in the second half.

The film is mounted on a mammoth scale and this is probably the first film from India that more than justifies the 3D ticket for the film. The visuals are grand and very well executed. All the principal characters have played their part with aplomb.

Ranbir Kapoor is perfectly cast as God Ram, no other actor could have played Ram better. Sai Pallavi is perfect in the role of Goddess Sita. Yash is menacing in the role of Ravan as is Shobhana playing his mother Kaikesi. Ravi Dubey is good as Lakshman. Arun Govil is very interestingly cast as King Dashrath.

The film starts from the perspective of Jatayu and ends with Jatayu's death, completing the circle of Part 1.

The opening 23-minutes of the film are an absolute banger! Very very engrossing; though after that chinks in the writing start to show.

It is impossible for any film to have all the sequences from Ramayan (the TV series in 1987 was 120 hours long) but few of the sequences included in the film should have been elaborated for the correct emotional quotient to hook the audiences.

For example the build-up of Ram's vanvaas - an additional scene between Kaikeyi and Ram where Kaikeyi realizes her mistake; a scene between Lakshman and Urmila, where Urmila is given boon to sleep for 14 years and Lakshman to wake 24x7 for 14 years - these scenes would have elevated the emotions in the drama.

Again, the vanvaas sequence (exile in jungle) lacks the emotional quotient because there are very less dialogue-drama scenes between God Ram, Goddess Sita and Lakshman. The deer-hunt scene, the Lakshman-Rekha scene; lack, both the desired emotional quotient and the elevation highs.

Another flaw is the background music at many places - particularly the BGM in the slaying of demon-brothers, Khar and Dooshan, is totally out of sync with the scene. Hans Zimmer and A.R. Rahman ought to give better BGM in part 2.

In spite of these flaws, the film will be loved by the family-audiences because of the belief and faith attached with Ramayan. As such the box-office will be huge.

The climax, in which God Hanuman is introduced will be a high-note for many in the audiences.

Nitesh Tiwari has made some amazing films, here his direction isn't as sharp, more so because of the writing and partly because of the editing. Lack of stay-reactions in scenes to enhance and heighten impact, is a big editing flaw.

The highlight of the film are computer graphics and visual effects that can only be enjoyed in 3D. Action is good, production designing amazingly rich and eye-filling.

On the whole Ramayan Part 1 is imperfectly perfect; a better writing will make Ramayan Part 2, perfectly perfect!

Press Release l WTM 2026 l ITT Future You Summit

  • 'Take a risk’ entrants to travel are advised at the ITT Future You Summit at WTM

Strategic risk-taking was a key theme at the ITT Future You Summit as it returned to WTM to offer inspiration and advice on a career in travel.

Angela Riseam-Smith, Head of Learning and Development at Hays Travel, outlined the independent travel agency chain’s various apprenticeships and management programmes, covering in-branch sales to head office opportunities in marketing, finance and HR.

She also imparted advice from Hays’ Chief Operating Officer Jonathon Woodall-Johnston and its Head of Retail Paula Barrett, who started with the company as trainees. Both said: “never be afraid to take risks”, while Riseam-Smith’s own was to advice “never stop learning.” 

Members of the TTG 30 Under 30 Tomorrow’s Travel Leaders programme then shared their experiences. Several of the panel had taken a chance at the start of their careers. 

India Barker began with Blue Bay Travel just 48 hours after returning from an extended stay in Sri Lanka and used enthusiasm to substitute her lack of experience. She is now Sales Team Leader. 

Julia Ross, a half-Italian language graduate had imagined herself working for a luxury Italian tour operator but encouraged by a friend, ended up at Central and South America specialist Latin Routes where she rose to Business Development Executive. 

Amaan Shakir, now Partnerships Executive at Avis Budget Group, took an entry level job at the company, despite having work experience behind him, to get a foot in the door in travel. 

Ross said: “My friend was right, take a risk and get out of your comfort zone.” Shakir, who was able to prove his talents and be fast-tracked advised: “don’t be afraid to step back to move forwards.” 

The session also heard from Emily Edwards, Travel and Hotel Tech Expert and Coach, who advised new entrants to travel: “Find out more about the people you meet... it’s about human connection and collaboration… Collaborate, collaborate, collaborate!” And she reassured them: “You will get help in this industry; that’s the kind of industry it is.”

On the subject of AI’s threat to jobs, her optimistic take was: “Our industry is really people-focused and people want to deal with humans not robots.”


ITT had its own news to share. Besides celebrating its 70th anniversary with new branding, it has launched Career Compass, a library of downloadable resources including short video case studies. On going collaborations are supporting LGBT+ entrants to travel and giving its members experience using AI. It also revealed its next conference will be in Bahrain. 

Further careers support comes from the new Travel Massive Careers and Learning Network, an online resource which the global community has launched with ITT Future You as a partner. Meanwhile, trade publication Travel Weekly used the summit to unveil its Careers Guide comprising online articles, advice and Tik Tok tips developed in partnership with ABTA.

Press Release l WTM London 2026 l Responsible Travel and Storytelling

  • WTM London delegates learn how to ‘hide the lentils in the cake’ with responsible travel and storytelling
  • Recipes for responsible tourism success were on the menu during the third day of WTM London as speakers shared tips about how to “hide the lentils in the cake”.
  • The first session on the Experience Hub featured sustainability experts debating whether labels in the sector were useful or a hindrance – as well as sharing examples of good practice with “hiding the lentils”.

Debbie Hindle, Chair of the International Centre for Responsible Tourism Global, commented: “[Sustainability] should be innate…but we should be telling consumers about the experience and the emotion, not putting a label on it.

“However, in the industry, internally, we need the labels in order to have those conversations. 

“Think about the experience and tell the ‘cake’ story.”

Sofya Muhrer-Muromets, Head of Sustainability at Evaneos, which offers tours with local travel agencies, said: “We want to make sustainable, responsible travel as a default; we do ourselves a disservice saying ‘it is responsible’ as that makes it a niche. Any trip should be responsible and sustainable.”

She highlighted how her company created lower-carbon itineraries in Indonesia with trains instead of flights, called ‘Beyond the Cliches’.

“To the customer, we’re selling a more tasty, juicy cake…but with so many lentils,” she added.

Tinu Mathur, Founder of Mathur & Co, said: “Let’s shed labels such as sustainable, ethical and responsible – it’s just ‘travel’.”

He highlighted a large hotel chain where all the staff would tap on their hearts as they passed colleagues as an indicator of their levels of service.

“The underlying principle is love. We love what we do and want to protect [the environment] for future generations,” he said.

The panellists also see new European legislation on “greenwashing” as the chance to revisit marketing and website content – and to tell more stories instead of just using “eco” labels.

“It’s a pain in the ass but it makes us stop and think how we can communicate better,” said Muhrer-Muromets.

Jamie Burr, Founder at responsible travel community Panoco, said: “It comes down to selling the experience…show rather than tell.”

In a session called ‘Creative Tourism: Better Experiences, New Value Ecosystems’, speakers highlighted how destinations are offering more meaningful experiences that create value for visitors, local communities and tourism companies.

Caroline Couret, President at Creative Tourism Network, said creative tourism experiences can adapt to many sectors, from backpacking to business meetings and luxury travel.

She showcased the example of Cannes, which offers many local handicraft experiences to boost visitor numbers.

“Be sincere. Be aware that you don’t have to have the Eiffel Tower but maybe you have people who bake bread, or weave, or offer percussion masterclasses – be proud of what you have,” she advised.

Other options could range from pottery workshops to photography routes, floral art sessions, dance lessons and wine-tasting.

Claire Singer, Founder at Claire Singer Ltd, said destinations that can offer meaningful, authentic experiences that are not cliches will appeal to local as well as international visitors.

Aidy Smith, TV presenter and journalist, shared advice about long-form content, which can showcase destinations with “emotional relevance” for his readers, listeners and viewers – who range from gay men to people with Tourette syndrome and mums with kids who have ADHD.

Furthermore, his long-form content, such as a 45-minute podcast, can also be trimmed to create short clips for social media to draw in more people. He urged delegates to be relevant, offer “authentic charm” and avoid “cookie cutter” solutions – but also to learn as much as possible about how to be “savvy” with AI.

Ash Bhardwaj, a journalist and presenter who has reported for outlets such as the BBC, The Telegraph, The Times, and Condé Nast Traveller, talked about leadership through good storytelling, gleaned from his travel career and time as a British Army reserve officer.

He’s also the author of Why We Travel and explained the 12 main reasons that people travel – ranging from curiosity to hedonism, wonder, healing and hope.

Furthermore, humans have evolved to be storytellers – and stories elicit responses that release hormones such as oxytocin, dopamine and endorphins.

He cited the example of President Zelenskyy, who remained in Kyiv after the Russian invasion of Ukraine, telling a story through his actions and inspiring the Ukrainians. The president also tailored his stories to each audience as he travelled abroad, echoing Winston Churchill in World War Two, for example, when talking to the British parliament.

Bhardwaj also showcased how the tourist board in New Zealand supported its attractions to help create stories and develop a narrative to promote the destination.

Dr. Sandeep Marwah Inaugurates 14th International Documentary Festival

By - Aanya


The 14th International Documentary Festival was held at Marwah Studios, Noida to a packed auditorium. With the panel comprising of diplomats, filmmakers and dignitaries from various walks of life; audiences were seen very keenly listening to each one of them!

Dr. Sandeep Marwah, President, Marwah Studios, welcomed all and told about the importance of documentary films in his inaugural speech.

He highlighted the fact that he has been the torch-bearer of documentary films in India. “We were the first to do a documentary film festival in Delhi-NCR. This year we got 156 entries from 52 different countries. It was a really tough decision to take a call on the winning films, but we are elated that the best won!”

Giving insights into the festival, the officials confirmed there were 156 entries from 52 different countries and picking a winner was a tough call.

Dr. Sandeep Marwah, particularly picked the documentaries made by cult filmpreneur, Amit R Agrwal, “not because he is an alumnus of AAFT, but because of the fact that he is following the legacy of Marwah Studios in true essence; by showcasing his films across the world”.

Dr. Sandeep Marwah said that he is very confident that the 15th edition of International Documentary Festival will see more than 200 entries.

Press Release l WTM 2026 London off to a strong start

  • Accessibility, experiences, AI and more get WTM London off to a strong start

WTM London 2026 opened with some of the travel industry’s biggest debates taking centre stage, led by the launch of WTM’s Global Travel Report, in association with Tourism Economics, alongside a newly structured conference programme.

Due to its growing popularity, the press conference launching the Global Travel Report’s findings was live streamed from the International Media Centre to all four of the event’s main stages.


Dave Goodger, managing director for Tourism Economics noted that the erosion of consumer spending power was an ongoing issue, but the bigger picture is that “travellers are reallocating resources and looking to save where they can.”

Sean Morgan, head of travel research at Tourism Economics also pointed out that 60% of travellers surveyed for the report wanted “luxury” holidays, where experiences are key.

Luxury and experiences were common themes elsewhere across Day 1 of the show. Chase Gray from Skift Advisory framed luxury as one of the “values” that its research identified as being relevant for the traveller of the future, specifically, 2036. However, he said that luxury will be about “access not excess”, and that “prestige travellers, who “want to see and be seen” were one of three cohorts who travel companies should plan ahead for. The other two types of traveller he identified want “enrichment”, as in growth and personal development, and “connection” across family groups and friendship circles.

Experience is such an important part of tourism it now has a dedicated hub at WTM London. In The Experience Economy: Niche is the new mainstream, Angela Val, from Visit Philadelphia, emphasised the economic opportunity in building immersive tie-in activities and itineraries around key events, focusing on Taylor Swift. “That has really changed the way we look at concerts in Philadelphia,” she said. “It has become normal [for people to] go to a concert and want to experience something outside of it… to embrace it for the three days [they’re] there.” 

Philadelphia seized a similar opportunity by mounting a range of free fringe events during this year’s FIFA World Cup. In fact, its Fanfest was the most attended of the tournament, pointing out that “70% of people who go to the World Cup don’t have a ticket”.

A similar theme exploring experiential tourism and how it drives business and revenues beyond the experience itself emerged on the Trends stage in a panel debate covering “passion tourism” - music, sports and cultural events. Luiza Fortuna from Superstruct Entertainment shared some data about Awakenings, an annual techno festival in the Netherlands it owns and organises. “The audience is pretty much a 50-50 split of Dutch and international visitors. But of these international guys, 80% of them say that they wouldn't go to the Netherlands if it was not for the festival”.


The Global Trends Report found that 58% of international travelers have undertaken a trip abroad specifically to attend an event in the past two years.

Cruise lines are also seeing an uptick in experience-led tourism. China-based luxury river cruise brand Century Cruises used the first day of WTM London to outline its plans for expansion in Europe and North Africa. It introduced a Rhine-Danube ship this year, with another due in 2027 and Nile cruises will be added in 2028. Its plans include enhanced culinary experiences, frequent onboard cultural celebration evenings and exclusive onshore events, such as private opera recitals in Vienna.

David Fredericks, President and CEO for the Americas for Century Cruises explained: “If we were a hotel brand, we would fashion ourselves after Mandarin Oriental or Shangri La.” He added that Century Cruises, which typically hosts Asian, European and American travellers, was happy to collaborate on charters for the MICE market.

Century Cruises, as a growing and emerging business, has identified its target markets as most travel firms do. But Spain, already established as a global leader in international tourism, has identified accessible tourism as a way to not only increase its market share but also improve the experience for visitors with accessibility issues.

The Spanish Tourist Office today launched a hotel advice guide and a series of social media ads created as part of its Spain for All accessibility strategy.

For the past three years, the initiative has seen the office work with an advisory council with members from across the UK and Spanish travel industries, many with lived experience of disability.

“Today we’re publishing a report which gives hotels in Spain and around the world the tools they need to communicate how accessible they are,” Spanish Tourist Office UK Director, José Manuel de Juan González announced.

Miguel Carrasco, Director of Tourism/COO for a series of accessibility organisations commented: “Accessible tourism is not a different kind of tourism, it is what better tourism looks like.” 

Spain’s global leadership means it remains a competitive destination for European travellers. easyJet Holidays is one of the biggest sellers of package holidays to Spain, and its CEO Garry Wilson appeared on the Wanderlust to discuss topics ranging from sustainability, profit margins, the development of the brand since 2019 and artificial intelligence (AI). Wilson is confident that AI will free up staff, in this case, to better deal with complicated customer queries because automation via AI can deal with simple queries, such as airport transfers.

At the same time, he is confident that its products can easily be found by AI search tools. “The meaningful thing for us is to think about how we can display the content in a way that is attributed back to easyJet holidays,” he said.His references to AI confirmed that it is, or should be, part of every travel company’s thinking. On the tech-dedicated Future Stage, Ani Attamian, reinforced that having “correct, connected and clear data” is essential for companies looking to use AI in both internal operations and external customer experiences.

Her examples covered both. She said there has been a 3,500% year-on-year increase in gen-AI traffic to US travel sites (July 2025), confirming its rapid adoption by mainstream travelers.

Elsewhere, attendees heard her describe how Ikea retrained and shifted 8,500 customer service workers into new remote interior design and high-value advisory roles, rather than laying them off after introducing its AI chatbot Billie. The time that AI freed went into higher-value work and a new business line, rather than fewer staff – and generated $1.37 billion in revenue.

Meanwhile, another session on the Future Stage synched many of the trends talked about elsewhere. Natalia Talkowska from Natalka talked about “the neuroscience of desire” and how human emotions should be allowed to co-exist in the age of AI.

“The brain cares about stories that evoke emotion” she told her audience. “Stand out by creating desire,” she said, urging delegates to offer events such as dinners and spaces where groups of clients can connect and ‘de-tech’.

“Gathering audiences is the new luxury”, she stated, suggesting the travel industry “needs to build a world that connects people.”

WTM London is already one step ahead, helping a global audience of travel professionals to connect. Wrapping up the opening day, Event Director Chris Carter-Chapman said there was a “fantastic buzz” about the show, with meetings in full swing. He accepted that it had been “a difficult year in many ways,” but he was proud the travel industry had shown “strong resilience,” which was apt for the theme of this year’s show.

He also paid tribute to Egypt; a long-time stalwart of the show and WTM London 2026’s Premier Partner.

Watching thousands of people pour through the entrance this morning - with more than 12,000 approved buyers and over 4,000 media registered - had been his personal highlight of day one which, he concluded, “this really communicates the importance of the show within the UK economy.”